艺术史哲学博士-电影和媒体研究

宾夕法尼亚大学的博士课程为学生提供有关艺术史及其关键方法的广泛培训，同时还针对他们所选领域的重点培训。学生完成博士学位 为大学和学院的教学职位以及博物馆和美术馆的策展职位做好了充分的准备。学院与博士紧密合作。学生在为助学金，策展实习和其他职业发展做准备时，概述适当的学习课程并指导学生。
The History of Art at Penn embraces the long history of projected, reproducible and moving images, and many members of the History of Art graduate group teach and do research in this realm, including Shira Brisman (Early Modern), Julie Nelson Davis (Japanese prints and cinema), Andr Dombrowski (19th century photography and print culture), Sonal Khullar (photography, 20th- and 21st-century cinema and moving image-art), Michael Leja (mass media, including print culture, photography and early cinema), Kevin Platt (Soviet cinema), Karen Redrobe (cinema, photography, video, film and media theory), Gwendolyn DuBois Shaw (North American and Latin American cinema, critical race theory), Chenshu Zhou (Chinese cinema, film exhibition), and Liliane Weissberg (the Frankfurt school). Our students also work closely with the other core Cinema and Media Studies faculty: Peter Decherney (American film history, copyright and media policy), Meta Mazaj (Balkan Cinema, Global art cinema, Film Festivals), and Rahul Mukherjee (South Asian and African cinema and media, media ecology).