Studying for your PhD in the School of Languages, Cultures and Societies means that you'll become an expert in a specialist area and develop high-quality research skills, which will prepare you for further research projects in addition to pursuing specialist career paths. As a postgraduate researcher, you'll conduct original research work under the guidance of your supervisors. You'll have regular meetings to monitor your progress and develop an initial training plan to make sure you are acquiring the appropriate skills for your research. Your initial priority is refining a research plan and establishing a feasible timescale for your project. During the early part of your PhD, you'll undertake a range of research methods modules to support your research activities. For your first year (or 18 months if you are part-time) you'll be enrolled as a provisional postgraduate reseaarcher, you'll develop a detailed research proposal and write a literature review. This work is submitted to a panel of examiners who will assess it and provide you with feedback and advice on the progress of your research. This is called 'transfer' which is an important means of monitoring the progress of your work and assessing whether your proposal has enough weight to be accurately explored through a PhD research path. After successful transfer, you'll enrol as a full postgraduate researcher, complete your research and write a thesis of approximately 100,000 words. The degree of Doctor of Philosophy is awarded on the basis of this thesis, and your viva voce, where you'll present and discuss the rationale, methods and findings of your original study with an examining panel.<br><br>Research in the area of theatre, music and performance is undertaken by a number of scholars across the cultures represented in the School. Work on drama includes studies of Chinese theatre and the Beijing opera, north African theatre, the sociology of Arabic translations of Shakespeare's tragedies, contemporary Austrian drama, and the stage and screenplays of Peter Turrini, Golden Age drama in contemporary Spain, Greek and Roman tragedy and comedy, in antiquity and its modern reception, the theory of audiovisual and theatre translation, and the reception of subtitled performances. Our work on music includes studies in Spanish popular music and its role in multiculturalism.