国际学生入学条件
A personal statement of approximately 1,000 words.
The statement should: 1) tell us about your reasons for applying and your relevant prior experience, 2) describe the area(s) of study and debate in which you are interested, and 3) address your particular interest in our program.
A critical writing sample of approximately 20-30 double-spaced pages.
For Musicologists, Ethnomusicologist, and Theorists: The writing sample must match your interest/concentration. Two papers adding up to 30+ pages or, if you prefer, a single, 25-30 page paper. Font size and style do not matter. Please make sure your name is on each page.
Composers should submit a shorter paper of approximately 15 pages as part of their application in addition to scores and (if possible) recordings of recent compositions.
Three letters of recommendation.
Letters should be written by professors who know your work and can attest to your academic ability. Please do not submit more than four recommendation letters.
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雅思考试总分
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雅思考试指南
- 雅思总分:6
- 托福网考总分:60
- 托福笔试总分:160
- 其他语言考试:NA
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申请截止日期: 请与IDP顾问联系以获取详细信息。
课程简介
The graduate program in Music Studies at the University of Pennsylvania serves students who intend to conduct cutting-edge research, produce high-quality scholarship, and develop teaching and professional skills in order to pursue academic positions in music studies, it also serves those who want to consider career opportunities beyond academia in both music and non-music domains. Faculty apply methodological tools from ethnomusicology, sound studies, musicology, and music theory to a wide range of research projects. The goal of the graduate program is not to entrench these disciplinary distinctions, but rather to seek out productive and innovative means of placing them in dialogue with each other. This orientation toward holding all of the sub-disciplines in view is reflected in the graduate curriculum as well as in the multiple colloquium series that animate departmental life. The curriculum is designed with flexibility in minddesigned specifically to offer students the freedom to craft a path of study that best addresses the research needs and methodological concerns of their particular dissertation projects. It combines the wide range of courses offered by the world-class faculty in the music department with the possibility of enrolling in seminars in other Penn departments and taking classes at consortium schools such as Princeton, Yale, and Columbia. Our colloquium series provides another means of engaging in both disciplinary and interdisciplinary conversations. In addition, workshops, public performances, and working papers presented by graduate students, post-doctoral fellows and faculty offer a wide range of perspectives on musical practice and scholarship, focusing variously on public lives in music, current research, craft and compositional issues. The faculty is particularly interested in teaching and research in the following areas: Archives, Textualities, and Materialities, Audio Politics and Sound Studies, Conflict, Healing, and Displacement, Gender, Sexuality, and the Body, Global Medieval/Renaissance, the Global South, History, Memory, and Intangible Heritage, Life Forms and Forms of Life, Opera and Performance Studies, Race, Ethnicity, and Empire, and Religion, Ritual, and Secularism. The Department of Music at the University of Pennsylvania also offers a Ph.D. program in composition.
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