国际学生入学条件
Pre-screening link to Audition Materials if you are applying to: Keyboard Studies, Jazz Studies, Choral Studies, Voice/Opera, or Percussion Studies
Link to composition portfolio if you are applying to Composition
A Statement of Purpose in which you indicate your interests in graduate studies, the concentration you are applying to and your voice/instrument.
Professional Resume
Three Letters of Recommendation
Official Transcripts from your bachelor's degree-conferring institution.
If you took music coursework at another institution, you should submit unofficial transcripts from this institution or if there were multiple, all of the institutions.
A Bachelor of Music degree, or a Bachelor of Arts degree with a major in Music or a bachelor's degree, from an accredited institution, with a minimum of 24 upper division units of music comparable to those required at this University,
The student must request all institutions of higher learning attended to send official copies of transcripts directly to the Office of Admissions and Records and another set to the Conservatory of Music Graduate Advisor. Transcripts presented to the Admissions Office by the student are not acceptable. Graduates of California State University, Long Beach must follow these same procedures when making application to the Master of Music in music program,
All applicants are required to complete the Bob Cole Conservatory Graduate Placement Examination before they register for courses applicable to the Master of Music degree. (Under special circumstances, a student may take the examination during the first semester in which he or she is registered in courses applicable to the degree),
Criteria according to concentration:
Composition: submission and approval of a portfolio of representative original scores and evidence of baccalaureate-level competency as required in the Bachelor of Music Composition Option,
Conducting: successful completion of a conducting examination and approval by the conducting faculty,
Performance/Jazz Studies: Performance-Opera, Jazz Studies, and Instrumental/Vocal: an audition both at a performance level and with a repertory on an instrument or in voice acceptable to the faculty of the specific performance medium.
A GPA of 3.00 or better in upper division Music courses. Students who do not meet the 3.00 GPA requirement or specified balance within the required 24 units of upper division music but who possess outstanding or unusual qualifications that promise a significant contribution to the Master of Music program may petition for a special review from the Conservatory Graduate Advisory Committee.
Complete a four-year college course of study and hold an acceptable baccalaureate degree from a regionally accredited institution by the end of the summer term prior to Fall enrollment or the end of the Fall semester for Spring enrollment.
Be in good standing at the last college or university you attended.
Meet the minimum GPA requirements for admission to the university. This can be met in any of the following ways:
Hold an advanced degree
Hold a baccalaureate degree with a cumulative GPA of at least 2.5. (No Rounding)
Hold a baccalaureate degree with a GPA of at least 2.5 (No Rounding) in the last 60 semester or 90 quarter units you attempted, excluding lower-division and/or extension coursework attempted after the baccalaureate degree.
TOEFL iBT - 80 and TOEFL PBT - 550
IELTS - 6.0
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雅思考试总分
6.0
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雅思考试指南
- 雅思总分:6
- 托福网考总分:80
- 托福笔试总分:550
- 其他语言考试:Pearson Test of English - 58
CRICOS代码:
申请截止日期: 请与IDP顾问联系以获取详细信息。
课程简介
该课程的学生编写各种传统声学乐器的作品,从独奏作品到大型管弦乐队的作品,以及各种电子资源,都在作曲老师的指导下不断努力完善自己的作曲声音。该计划提供了许多用于进阶学习的课程,最近提供的课程包括以计算机符号,Max / MSP / Jitter,艺术歌曲创作,Schenkerian理论为主题的研讨会,以及由古典传统之外的音乐为基础的创作(包括摇滚,爵士乐,和非西方传统)。该课程的学生为BCCM交响乐团,BCCM交响乐团,克罗诺斯四重奏,摩擦弦乐四重奏以及许多其他常驻和客座合奏团编写了作品,供阅读和研讨会使用
The BCCM offers two master's degree tracks in composition. Students in both tracks benefit from opportunities to work closely with the individual composition faculty, and from frequent opportunities for feedback from the composition faculty and from their fellow students-both advanced undergraduates and fellow graduate students. There are also many opportunities to participate in adventurous and unusual new music performances: in recent years, the department has hosted several Happenings, a full performance, day and night, of Erik Satie's Vexations (with an expanded instrumentation including analog synthesizers, antiphonal sax choir, toy piano and tuba, multiple melodicas, electric guitar and bass, and more), performances of several different 60x60 mixes, thereby experiencing new one-minute works by literally hundreds of different living composers on campus, and many more. Through the Laptop Ensemble and the New Music Ensemble, the department has also seen several collaborations with video artists, and dozens of world premieres by composers in the department and others from afar, including the New Music Ensemble's premiering Christian Wolff's Robert and Pauline Oliveros's Sound Listening, both works that the ensemble commissioned and prepared under each composer's supervision.<br><br>Students in this program write works for the full range of traditional acoustic instruments, from solo works to ones for large orchestra, as well as for various electronic resources, working constantly to refine their own compositional voice under the guidance of the composition faculty. The program offers many courses for advanced study, with recent offerings including seminars focused on computer notation, Max/MSP/Jitter, art song composition, Schenkerian theory, and composition informed by music outside of the classical tradition (including influences from rock, jazz, and non-Western traditions). Students in the program have written works for readings and workshops by the BCCM Symphony Orchestra, the BCCM Wind Symphony, Kronos Quartet, the Friction String Quartet, and many other resident and guest ensembles.
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